Residency

The Residency program presents the organization’s annual artist residencies, created to support the development of artistic research and new work. Each residency provides artists with time, space, and opportunities for dialogue with curators, scholars, and cultural institutions.

Bel Falleiros & Renata Cruz

In Collaboration with El Espacio 23, Miami.
Curated by Adriana Herrera, Phd

2025

Bel Falleiros and Renata Cruz develop practices rooted in listening, narrative, and the construction of shared spaces. Falleiros investigates place and belonging through environments that invite coexistence with nature, inner landscapes, and collective presence, questioning how contemporary territories are built and inhabited. Cruz works with fragments of texts, images, and personal stories to create open, non-linear narratives, where multiple voices and temporalities intersect.

Together, their works propose art as a space of encounter rather than representation. By foregrounding relationships, memory, and lived experience, both artists resist fixed meanings and linear readings, opening spaces where territory, storytelling, and collective imagination remain in constant transformation.

Two women stand in front of a wall display of several interconnected diagrams with text, colored circles, and lines, discussing the information.
Two women smiling and shaking hands in a lush green forest.
Group of people at an art gallery, viewing and discussing artwork, with paintings and drawings on the white walls.

Panmela Castro

In Collaboration with El Espacio 23, Miami.
Curated by Jennifer Inacio

2024

Panmela Castro’s practice is rooted in a confessional approach that merges art and activism. Her work addresses gender- and race-based violence while advocating for the occupation of spaces of power by women, Black communities, LGBTQIAP+ people, people with disabilities, and Indigenous peoples, particularly in decision-making processes related to planetary sustainability, climate change, and the finitude of natural resources.

Working across performance, painting, sculpture, installation, video, and photography, Castro explores affect and alterity as tools for social transformation. Her work has been exhibited internationally, challenging sexist and elitist structures within the traditional art world. She is also the founder of Rede NAMI, an organization dedicated to women’s rights and the fight against domestic violence, impacting more than 200,000 people worldwide.

A woman with a short buzz cut, wearing a black and gold jacket with the word "HANDLEIT" repeated, sitting on a chair, painting a portrait of an older man with glasses and a beard on a large canvas. The woman is focused on her work, with painting supplies visible around her.
A woman with short hair wearing a green outfit is sitting on a black chair in an art gallery. She has one leg crossed over the other and is wearing white sneakers. Behind her, there are several paintings and vases with flowers on the floor.
Painting of a woman with curly brown hair, wearing a light-colored shirt, sitting with her arms crossed and smiling, with large beige and white foliage in the background.

André Azevedo

In Collaboration with El Espacio 23, Miami.
Curated by Jennifer Inacio

2023

André Azevedo's research with fabrics is part of his personal and familiar experience with this materiality. From this intimate connection, Azevedo began to understand textiles simultaneously as language, concept, and materiality, which allowed him numerous forms of interaction with the world. The starting point for realizing his works comes from the etymology of the word text and a recurring quotation among several authors: “Text means fabric and a line a thread of a linen fabric.”

He explores the plot structure within the universe of storytelling, using notions of “following the thread,” “backdrop,” and “knotless stitch,” among other figures of speech. The fabric is an opportunity to deal with the idea that things are entangled: they follow phenomena of repetition, transmit processes, and consequently revive images. Azevedo begins with the statement that fabric is a medium because it is in between – between men and the world, and between the world and all the things it coats –and, then, makes use of different malleable media, such as books, screens, video, and sound installations.

A woman in black clothing walking in an art gallery, looking at a black and white abstract textured artwork on a white wall.
Close-up of an abstract wall art installation made of layered fabric strips with a mix of black and cream colors.
An art studio with a large window view of a wooded outdoor scene. There is a black work table with tools and materials, a black chair, artwork on the walls, and a wooden bench with adjustable clamps.

2022

Rafael RG

Rafael RG is a visual artist who lives and works between Guarulhos and São Luís do Maranhão, Brazil. He has a degree in Visual Arts from Belas Artes de São Paulo and has received numerous awards and scholarships, including the 1st Foco ArtRio Award and the Iberê Camargo Scholarship for residency at Künstlerhaus Bremen in Germany. RG has had residencies at various institutions, including Gasworks in London, Triangle France in Marseille, and FAAP Artist Residency in São Paulo.

In his artistic practice, RG brings together documentary and affective sources to construct his works. He often uses documents from institutional or personal archives and integrates these with narratives that may involve himself or an alter ego. The result is works that often approach fiction or a notion of fictionality. RG's current areas of interest include affective relationships, sexual and gender politics, racial identity, and related issues. He explores these themes through workshops, installations, performative texts, publications, and objects.

RG's work is supported by the @garciafamilyfoundation. He continues to produce thought-provoking works that challenge viewers to consider the complex intersections of politics, identity, and affect in our lives.

Curated by Jennifer Inacio

Two black framed posters on a white wall; the left shows a diagram of a hand with labeled parts, the right displays sheet music.
Pink background with handwritten notes and sketches, including a ladder, a lion, a bird, and a human figure. Overlaid text reads 'El futuro del amor' and credits Romário Alves, Icaro Gaya, and Rafael RG.
Two women sitting on a step, engaged in a conversation, with purple lighting in the background.

Nadia Taquary

In collaboration with Bakehouse Art Complex, Miami. Curated by Christian Larsen and Jennifer Inacio

2021

Nádia Taquary raises questions related to the knowledge and practices of traditions in Creole jewelry. In her works, she uses wood, gold, silver, beads, straw, and other objects representative of the history of the Black population in Brazil. These objects, which have lost their meaning over time, originally represented freedom for many enslaved Black women, and today are being revisited and empowered by the artist to emphasize the continuation of contemporary racial struggles.

A man and a woman sitting in chairs, with the man talking and gesturing with his hands. The woman is attentively listening. The background features a wall decorated with woven or ceramic wall hangings.
Beaded necklace with yellow and black beads, resembling a spider, with a large yellow beaded tassel, and decorated with white cowrie shells, displayed on a dark surface.
A woman viewing African-inspired mask art displayed on a gallery wall.

Mano Penalva

In Collaboration with The Fountainhead Residency
Curated by Ana Clara Silva

2020

We are thrilled to have Mano Penalva for the residency program 2020 in partnership between The55Project and The Fountainhead Residency in Miami. We want to thank Kathryn Mikesell, co-founder of The Fountainhead, Adriana Malfitano, and Ricardo Mor for helping us with the artist selection and nomination. Congratulations to Mano Penalva. Mano Penalva is a Brazilian artist who documents the material culture, behavioral changes, and globalization surrounding our contemporary lives. His art reflects on the character of objects and how they transition through the world. 

During the program, Mano Penalva created “American Sky,” 2020, a 5 min. video performance.

"The flag of Penalva waves high, an imagined flag suggests an inclusive America with all nations under the same sky. The stars and the navy blue color are borrowed from the flag of the United States, its version signals to infinite stars that shine even in dark times. The work reminds the viewer of the many types of Americans that exist above and below Ecuador and serves as an invitation to understand America in its entirety better. "

Text by Ana Clara Silva.

A man standing in a body of water holding a large American flag with blue background and white stars.
A man examining a pile of cut-up fabric or material on a table in a sewing or craft room.
Four students in a classroom, three females and one male, are engaged in conversation. The classroom has international flags hanging on the wall.

Ivan Grilo

In Collaboration with Mana Contemporary
Curated by Adriana Herrea and Tatiane Schilaro Santa Rosa

2018

“ESCRIBE UNA CARTA DE AMOR”

The project used poetic sentences to activate subjective spaces in Downtown Miami, creating the possibility of public interaction, promoting new possibilities for political and social discussion, and activating conversation beyond the artist's native Brazilian territory while allowing borders to dissipate.

"I am very interested in this ambiguity of phrases, which permeate politics and affection. In addition to this, there is the idea of presenting a work far from the space of the white cube that allows reaching people completely alien to the art but never alien to the politics or to the love.” - Ivan Grilo.

Three men are mounting a wooden sign on a gray wall. One man is holding a drill, another is wearing a blue cap, and the third is reaching up to assist. The sign has text in Spanish.
A group of people sitting and watching a presentation or film projected on a wall in an industrial-style room.
Group of people waiting in line at an indoor event, engaging in conversation, with some holding water bottles.

Mateu Velasco

In collaboration with AnnexB/ NYC
Curated by Tatiane Schilaro Santa Rosa, 2017

2017

Mateu Velasco was born in New York City but spent the better part of his life living and working in Rio de Janeiro. He is one of a small group of multimedia artists from Brazil’s arts capital who have caught the attention of international collectors in recent years. Known for his distinctive, explosive style, Velasco has been hailed as one of the few young Brazilian talents who can move with ease between innovative styles, unexplored themes, and deep into the murky depths of the social conscience.

His work, whether it be paintings on public walls or gallery canvases, objects, or animation, flips the everyday humdrum on its head, presenting the viewer with a new vision of the unnoticed, awe-inspiring interpretations of those crevices in the waking hours that otherwise would escape our thoughts.

Person drawing colorful scribbles and doodles on paper with markers, with a hand resting nearby.
Six illustrated artworks displayed on a wall, featuring animals, abstract shapes, and imaginative characters.
A person wearing a black hoodie and black beanie looking at colorful and abstract drawings on a white wall in an art gallery.